Couple with a Globe
Baroque art originated in Italy around 1600, catering towards a primarily elite clientele. The style spread quickly across Europe by trade and through various other means, this painting was created during a time of trade prosperity in the Netherlands. It is an example of excellence in Dutch commerce as well as portraiture at this time.
Couple with a Globe might be an example of contemporary courtship but it speaks to the social status of women during the 17th century. Although women in the Netherlands were very liberated in comparison to the rest of Europe, the woman in this portrait is still objectified. Visually and compositionally she is highlighted and the focal point of this piece. Despite its title, the eye is drawn to the luminous forehead of the woman rather than the impressive globe in the shadows.
This painting is a way, for the man depicted, to show off his wealth, knowledge, and also to impress his lover. The man is shown wearing a university hat, signaling that he is of an elevated class. In front of him are his prized possessions, and his gaze is focused towards the woman. The heavy amount of jewels and elaborate dress of the woman are also a nod towards the man’s wealth because he can afford to adorn her in such a luxurious costume.
This painting is a classic example of trends in female portraiture that date back to the Renaissance. Typically any elaborate dress or jewelry on a woman was in reference to her husband’s wealth, and her demure indirect gaze was a symbol of her fidelity and submission. Although these traits are present in Couple with a Globe, there is also an additional aspect of courtship and interrelation with the man teaching the woman about geography. While this still illustrates the objectification of women, it offers additional insight into specifically Dutch society and the extent of Dutch women’s rights at this time, which included owning land and attending school, in comparison with the rest of Europe.